Fragment, 2019

Archival inkjet print, wood panel, acrylic paint, Epoxy

48 x 56 in

Unique piece

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Fragment, 2019

Archival inkjet print, wood panel, acrylic paint, Epoxy

48 x 56 in

Unique piece

info
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Slowed and Throwed: Records of the City Through Mutated Lenses. Contemporary Arts Museum Houston, CAMH

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Twisted, 2020

Archival inkjet print, wood, acrylic paint, epoxy, metal rope

18 x 52.5 x 18 in

Unique piece

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Slowed and Throwed: Records of the City Through Mutated Lenses. Contemporary Arts Museum Houston, CAMH
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Twisted ll, 2020

Archival inkjet print, wood, acrylic paint, epoxy, metal, gesso

24 x 34 x 24 in

Unique piece

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This project is an extension of my ongoing exploration of the topic of self-representation in El Pertenecer en Tiempos Modernos (Belonging in Modern Times) (2019).

I depart from stereotypical photographic portraits of subjects to render them through constructive and deconstructive methods. To disrupt photography's flat, two-dimensional surface I cut and reassemble the images to build sculptures and collages. I use photography as the basis for the three-dimensional objects as a means to challenge our visual perception. Often implying that identity is, in fact, a social construct while also engaging with notions of existentialism.

Using Format