Fragment, 2019
Archival inkjet print, wood panel, acrylic paint, Epoxy
48 x 56 in
Unique piece
Fragment, 2019
Archival inkjet print, wood panel, acrylic paint, Epoxy
48 x 56 in
Unique piece
Slowed and Throwed: Records of the City Through Mutated Lenses. Contemporary Arts Museum Houston, CAMH
Twisted, 2020
Archival inkjet print, wood, acrylic paint, epoxy, metal rope
18 x 52.5 x 18 in
Unique piece
Twisted ll, 2020
Archival inkjet print, wood, acrylic paint, epoxy, metal, gesso
24 x 34 x 24 in
Unique piece
This project is an extension of my ongoing exploration of the topic of self-representation in El Pertenecer en Tiempos Modernos (Belonging in Modern Times) (2019).
I depart from stereotypical photographic portraits of subjects to render them through constructive and deconstructive methods. To disrupt photography's flat, two-dimensional surface I cut and reassemble the images to build sculptures and collages. I use photography as the basis for the three-dimensional objects as a means to challenge our visual perception. Often implying that identity is, in fact, a social construct while also engaging with notions of existentialism.
