Artpace San Antonio announced that Slowed and Throwed: Records of the City Through Mutated Lenses will be on view at Artpace from July 29–November 21, 2021. Originally exhibited at Contemporary Arts Museum Houston, Slowed and Throwed is the first museum exhibition with a conceptual focus on the late Houston hip hop legend DJ Screw. The exhibition explores visual arts practices that parallel the musical methods of this innovative DJ and feature unconventional photography and new media works by artists with personal ties to Texas, including B. Anele, Rabéa Ballin, Tay Butler, Jimmy Castillo, Jamal Cyrus, Robert Hodge, Shana Hoehn, Tomashi Jackson, Ann Johnson, Devin Kenny, Liss LaFleur, Karen Navarro, Ayanna Jolivet Mccloud, Sondra Perry, and Charisse Pearlina Weston. The exhibition will open at Artpace with an in-person reception on Thursday, July 29, from 6–9pm. The reception is free and open to the public. More information about the exhibition, such as opening reception details, programming, etc. will be announced at a later date. Please visit Artpace.org to stay informed.
Contemporary Arts Museum Houston (CAMH)’s show Slowed and Throwed featured in Travel & Leisure Magazine this month.
THE CONSTRUCTED SELF 04/30/2021 - 06/25/2021 at Foto Relevance 4411 Montrose Boulevard, Suite C Houston, TX 77006
Karen Navarro’s The Constructed Self is the Houston-based photographer and multimedia artist’s first solo exhibition at Foto Relevance. A vivid and even more tactile expansion of the artist’s earlier portfolio El Pertenecer en Tiempos Modernos (Belonging in Modern Times), Navarro’s The Constructed Selfrealizes meditations on self-representation and identity through dynamic photosculpture configurations. Disrupting photography’s traditional two-dimensional presentation, these colorful new works come assembled in a multitude of ways—some stacked and spinning, others paneled and puzzled together. These geometric complexities illustrate the abilities we all have to reorder and rearrange the many facets of our public-facing identities.
Karen’s new work“Shine America 2043” will debut at the Holocaust Museum’ show Withstand: Latinx Art in Times of Conflict .
The show opens on April 30, 2021. Withstand: Latinx Art in Times of Conflict will explore themes of social justice and human rights through 100 artworks of Houston Latinx artists. The multi-media exhibition will be a platform that examines issues that impact the community, fosters dialogue on difficult questions, and ultimately empowers social change through art. Click here for more info.
The Constructed Self series selected as finalist and juror’s pick by the art director of Harper’s magazine, Kathryn Humphries in the Lensculture Art Photography Award. “I was drawn to Karen Navarro’s work because of the dialogue it encourages between the subjects, the artist, and the audience. The sculptural and collage elements of the work allow for the reimagining of each piece– they can be observed from different viewpoints, as well as reassembled. The palettes, large scale, and use of hashtags also provoke questions about representation and categorization. We are asked to consider who informs these decisions and which social constructs are at work in the process.” Kathryn Humphries.
“The Argentine artist, considered one of the major emerging talents in international photography, has developed some projects related to the theme of identity, self-representation and belonging” by Manuelaanamaria Accinno
Read the full article here
Interview by Liz Sales
“Hanging from the ceiling of Karen Navarro’s studio is a photographic portrait of a young woman printed in strips onto horizontal wooden slats strung together to create a mobile. Each slat in this kinetic photographic sculpture seems to have the freedom to rotate independently. So, while the actual image remains the same, the viewer’s perception of it is subject to change.
This mobile is a piece in the artist’s ongoing series, The Constructed Self, for which she cut and reassembled photographic portraits to build collages and sculptures. Navarro, an Argentinian artist, based in Houston, Texas, has created these dimensional portraits, with pieces that can be rearranged and displayed in a variety of ways to express the relationship between identity and perception.
In this interview for LensCulture, she speaks to Liz Sales about her inspiration to make work addressing identity, the material nature of her working process and changing sense of self.”
To read more click here
Photo Vogue Festival projections featuring “The Constructed Self” project that was selected as finalist for the PHmuseum 2020 Women Photographers Grant
View the exhibition here
“Fragment, 2019” is part of the LATINAMERICANA fine art print sale by PHmuseum. 42 Latin American photographers were selected to participate in the limited edition fine art sale that runs only for 15 days. This is a great opportunity to acquire a print of “Fragment, 2019” and the first time to be on sale in this format.
About the initiative: “Way back in 2012 in the city of Buenos Aires, Argentina, we started PHmuseum with the dream and ambition of creating a democratic space to access contemporary photography and its language. It is thank to the passion and support of the Latin American community that it all started. This is why our first limited edition print sale is dedicated to celebrate and discover the photography of the continent.” Giuseppe Oliverio
PHmuseum announced the 27 finalists of the PHmuseum 2020 Photography Grant selected by an independent jury. Karen was shortlisted and all finalists are now live at phmuseum.com/w20 and will be soon virtually projected at the 2020 Photo Vogue Festival.
Delighted to announce Karen Navarro has been shortlisted for the Photo London Emerging Photographer of the Year Award 2020, in partnership with Nikon Northern Europe.
The prize was launched during the first edition of Photo London in 2015. It is awarded to a young artist showing at Photo London.
The Shortlisted Finalists for the Emerging Photographer of the Year Award 2020 are: Margaret (Sherie) Ngigi, presented by AKKA Project; Sameer Tawde, presented by Up Gallery; Thandiwe Muriu, presented by 193 Gallery; Karen Navarro, presented by Fotorelevance; Angela Blažanović, presented by Sid Motion, Marguerite Bornhauser, presented by Carlos Carvalho Arte Contemporânea; David Uzochukwu, presented by Galerie no.8; Ibrahim Ahmed, presented by Tintera; Ryoichi Fujisaki, presented by KANA KAWANISHI GALLERY; Kira Leskinen, presented by Persons Projects
The jury is composed by Simone Klein – Former Global Director of Print Sales at Magnum Photos – and Sofia Vollmer de Maduro – Director of Education, Society of the Four Arts, Palm Beach, collector and Curator Emeritus of the Alberto Vollmer Foundation collection – both part of the Photo London Curatorial Committee. They are joined by Fiona Shields, Head of Photography at the Guardian.
Announcing Karen Navarro participation in Photo London Fair Digital with Foto Relevance. Taking the lead to transition to digital Photo London Fair is the first international photography fair online. It brings together 104 exhibitors from 21 countries and offers a unique programme of digital events. The Fair will run from 7–18 October 2020, with two preview days on 5 and 6 October.
Photo London Digital will take place on a platform built by the Fair’s digital partner, Artsy, and accessible both from the Photo London website and Artsy’s.
Foto Relevance will present six photographers whose styles vary significantly within the genre of contemporary photography-based work. Each individual artist creates work in a unique style, ranging from traditional media combined with non-traditional subjects to techniques which utilize the physical deconstruction of images and their re-creation as 3D visual objects. In this curated selection, each artist revisits genres of still-life, portraiture, and performance in ways that consciously expand the boundaries of photography.
Robert Langham III
There’s a new mural in town! 18 of them to be exact. Introducing WindowWorks, a public art initiative brought to you by the Downtown District. WindowWorks showcases the diversity and creativity found across The Lone Star State by transforming vacant and inactive storefronts along Main Street through bold, vibrant designs. In partnership with UP Art Studio, the program features the work of 18 Texas-based visual artists including Karen Navarro’s photography work. Check out Art Blocks to plan your self-guided tour.
Karen was recently invited to jury the Artadia Fellowship Houston 2020 and to continue to be involved in the program by being a mentor for the new rounds of fellows.
Read more about Karen’s recent Artadia fellowship and her role as a mentor on page 50-51 of ARTnews Spring issue 2020.
Claire Selvin wrote:
Karen Navarro was named a Houston Fellow just a few years after moving there from Buenos Aires, and will be a mentor for the program in 2020; she said the arrangement serves an important purpose in one of the most diverse cities in America. “It’s always good to have people who nurture your career,” she said. “Having recognition from a prestigious organization not only gives you validation; it motivates you to keep working more, because you know that the work you do– if you work hard– pays off.”
Slowed and Throwed: Records of the City Through Mutated Lenses
March 6–June 7, 2020
Karen Navarro is pleased to announce her participation in Contemporary Arts Museum Houston (CAMH) Slowed and Throwed: Records of the City Through Mutated Lenses, the first museum exhibition with a conceptual focus on the late Houston hip hop legend DJ Screw. The exhibition explores visual arts practices that parallel the musical methods of this innovative DJ and feature unconventional photography and new media works by artists with personal ties to Houston, including B. Anele, Rabéa Ballin, Tay Butler, Jimmy Castillo, Jamal Cyrus, Robert Hodge, Shana Hoehn, Tomashi Jackson, Ann Johnson, Devin Kenny, Liss LaFleur, Karen Navarro, Ayanna Jolivet Mccloud, Sondra Perry, and Charisse Pearlina Weston.
The exhibition opens on the evening of Thursday, March 5, 2020 with a Members Preview from 6–7PM and a public opening from 7–9PM. The exhibition will remain on view through Sunday, June 7, 2020. As always, admission to CAMH is free.
Slowed and Throwed: Records of the City Through Mutated Lenses is a two- part interdisciplinary exhibition orbiting around the legacy of the late Houston legend DJ Screw. He produced his namesake sound, “chopped and screwed,” by using two turntables to slow down and layer hip hop tempos. The hallmarks of this technique—reducing pitch, slowing tempo, distorting input, and chopping lyrics to produce new meanings—have become synonymous with Houston hip hop, earning DJ Screw the nickname “The Originator.” Despite his untimely death at age 29 in 2000, the DJ and leader of Houston’s Screwed Up Click continues to influence artistic genres around the world.
In their photo-adjacent practices, the participating visual artists appropriate, mash-up, collage, and mutate photographic inputs, in addition to slowing time. Slowed and Throwed contends that remixing “sampled” materials is a radical aesthetic act utilized by both artists and musicians. Through reconfigurations of sourced and original materials, the featured artists draw attention to inequities stemming from race, gender, and sexual orientation, suggesting new possibilities and alternative realities.
Slowed and Throwed is curated by Patricia Restrepo, Exhibitions Manager and Assistant Curator, Contemporary Arts Museum Houston, with guest curators Big Bubb, Owner of Screwed Up Records & Tapes, and ESG, rapper and member of the Screwed Up Click. The exhibition is also made possible through the assistance of Research Advisors Julie Grob, Coordinator for Instruction and Curator of Houston Hip Hop Research Collection at the University of Houston Libraries, and Rocky Rockett, independent hip hop educator.
Read more about the show here.
In the news:
Spring’s best museum shows celebrate the influence of daring experimentalists.
The Contemporary Arts Museum Houston’s show immortalizes the late musician in his hometown.
FotoFest at CAMH gets Chopped and Screwed.
CAMH’s new show is screwed up—and that’s a good thing.
Top 5 | March 5, 2020 | Slowed and Throwed sits at #1
Karen Navarro announces gallery representation by Foto Relevance
For immediate release: 23/01/2020
Houston, Texas, January 23, 2020 – Karen Navarro (www.karennavarroph.com) is pleased to announce her representation by Foto Relevance (www.fotorelevance.com) in Houston. Foto Relevance exhibits contemporary photo-based art and provides a platform for an innovative selection of American and international photographic artists pushing the boundaries of photography. Foto Relevance is located in the Museum District in the Gallery Building at 4411 Montrose, Houston.
“I look forward to working with Foto Relevance, Geoffrey Koslov and Bryn Larsen, its founders, and owners, who are prime players in the Texas photographic world,” says Navarro. “The Gallery has established itself as one of the most relevant in the photography art scene in Houston. I am excited about this new collaboration.”
About the artist
Karen Navarro is an Argentine-born multidisciplinary artist currently living and working in Houston. Using a diverse array of mediums that include photography, collage, and sculpture, Navarro’s image-based work centers around the topic of identity. Trained as a fashion designer and photographer, the artist studied at the University of Buenos Aires and completed the certificate program in photography at Houston Center for Photography. Her constructed portraits are known for the use of color theory, surreal scenes, and minimalist details.
Navarro’s work has been exhibited in the US and abroad. Selected shows include Contemporary Arts Museum Houston (CAMH); Lawndale Art Center, Houston, USA; Elisabet Ney Museum, Austin, USA; Melkweg Expo, Amsterdam, The Netherlands; Houston Center for Photography, Houston, USA; and Museo de la Reconquista, Tigre, Argentina. Navarro’s work has been featured in numerous publications, including SPOT Magazine, Aint—Bad, Lenscratch, and Vogue Italia.
Navarro was awarded a scholarship from the Museum of Fine Arts, Houston’s Glassell School of Art in 2018 and an Artadia Fellowship in 2019. Her series El Pertenecer en Tiempos Moderns (Belonging in Modern Times) was selected for Photolucida’s 2019 Critical Mass Top 50. Recent projects include a public art commission from the City of Sugar Land and the curation of Alternate Pathways, a local exhibition at the Union TX sponsored by the Houston Arts Alliance and Fresh Arts.
The City of Sugar Land has collaborated with community partners to create an outdoor and online exhibition celebrating its history and people. The project features oral histories and fine art portraits taken by regional artist Karen Navarro.
This project will be added to Sugar Land’s historical archive and it celebrates those with compelling connection to the early history- and modern history of Sugar Land. The 30 participants have a particularly compelling connection to Sugar Land—perhaps they are a community leader, business leader, civic leader, long-standing resident or have a unique perspective of the history of the City.
For this project the City has partner with the Fort Bend Historical Commission and the Sugar Land Heritage Foundation , and the project was funded by the National Endowment for the Arts.
Alternate Pathways’s opening reception took place yesterday at the Union TX with a turn out of over a hundred people in attendance. Alternate Pathways is an exhibition co-organized and co-curated by Karen Navarro and Luisa Duarte. It is funded in part by the City Houston Mayor’s Office of Cultural Affairs through Houston Arts Alliance. And, it’s a sponsored project of Fresh Arts, a non-profit arts service organization.
Surpassing Limits through Alternate Pathways by Surpik Angelini. (excerpt)
For the first round, Navarro and Duarte invited a mixed media artist, Celan Bouillet; a painter of sculptural shaped canvases, Eduardo Portillo; and an artist and illustrator Hedwige Jacobs to join them in this project, thus bringing together representatives from three countries as distant and different from theirs as the US, El Salvador and The Netherlands.
Beyond the issues of “displacement, attachment to place, imaginary homelands, place making, the construction of identity and belonging,” which the group identified as a common ground, I believe that the way they surpassed the limits of the Modernist aesthetic inherited from the past, seems to speak to a grander scheme of things, while it also underlies their work in more significant ways.
Surpassing limits rather than simply choosing alternate pathways may seem inconsequential at first, but in my mind it helps focus our attention to how the artists have responded to two opposing forces impacting the development of contemporary art in the last twenty-five years. Globalization alone fostered an intense traffic of culture from the First World to developing countries, or simply from centers to peripheries, carrying with it, in all instances and everywhere, the imposition of Modernism as a lingua franca in the arts. The second force shaping the art of our times is a phenomena called “the ethnographic turn” since the 90”s, which injected local flavor, subjective specificity, and more importantly, a meaningful historical and cultural contextualization of the art produced in different parts of the world. The result of these two seminal forces is that most contemporary works today embody artists’ own micro narratives which counteract the master narrative prevalent in Modernist forms of expression. Therefore, with this framework in mind, I would like to address how each one of the artists in the present exhibition contests the inherited Modernist cannon in their own art.
To make images appear and disappear, to simulate and dissimulate visual effects through constructive and deconstructive methods would describe Karen Navarro’s artistic process. Her departure from stereotypical photographic portraits of her subjects is rendered by cutting and reassembling their facial features, intervening them with superimposed geometric matrixes. Her deconstructive methods make images almost unrecognizable, reaching invisibility at times. Navarro’s work implies that identity is in fact a social construct, as she parodies the digitally deforming effects of apps like Snap Chat, face changer, faceapp, all of which fulfill the growing need of people to be recognized, or to be accepted in a certain social category, symbolized by their obsessive use of hash tags.”
Navarro’s series El Pertenecer en Tiempos Modernos (Belonging in Modern Times) was selected for the Critical Mass TOP 50 (2019). Critical Mass is an annual online program that makes connections within the photography community. It is ran by Photolucida, a non- profit organization that support and promote the work of emerging and mid-career photographers.
Through a pre-screening process, the field is narrowed to a group of 200 finalists who go on to have their work viewed and voted on by over 200 esteemed international photography professionals. From the finalist group, the Top 50 are named and a series of awards are given. See the series here
Alternate Pathways Opening Reception OCTOBER 19, 2019 6:00 PM - 8:00 PM | 2315 Union Street, Houston, Texas 77007.
Alt Projects is pleased to present Alternate Pathways, an artist-centered and driven group exhibition. An event that highlights the diversity of both Houston and the artists involved. The show will feature the works of visual artist Luisa Duarte, mixed media artist Celan Bouillet, fine art photographer Karen Navarro, painter of sculptural shaped canvases Eduardo Portillo, and artist and illustrator Hedwige Jacobs.
Opening reception RSVP here
The show runs until November 22th, by appointment only.
Artists talk and brunch: Sunday October 27th, 1-3 PM at the Union. Free and open to the public.
Read the new interview on CREATE! magazine about Karen’ studio practice. CREATE! magazine is an independent, contemporary art magazine highlighting the work of artists, makers, and creative entrepreneurs.
What is your process like?
“Usually, everything starts on the sketchbook, then I pay a visit to the warehouse to buy some painting to paint the backdrop wall. After that I go to the thrift store to get some clothing and some props to prepare for the photo shoot. In my performative photographs I create characters, for this reason I meticulously arrange the elements in the scene. Although, while in the photo shoots I allow myself to get creative and try new things, I don’t stick entirely to the sketchbook.
Since my work is evolving and I am working on new mediums, like collages and soon sculpture, my process changes according to the work I am doing. For example in my last series of collages “El Pertenecer en Tiempos Modernos” I added laser-cutting, 3-D printing, and embossing.”
Read the full interview here
Navarro’s work is now available through PxP Contemporary. PxP Contemporary is an online platform which connects collectors with high-quality, affordable artworks.
Check Navarro’s collection here
Karen was recently interviewed about her series “El Pertenecer en Tiempos Modernos” by Haley Berkman Karren on Houston Center for Photography’s SPOT Magazine.
“I think I made this work to break some rules in the photography world and to challenge the medium. This series is a point of experimentation for me as well—an introduction to sculpture, which is something I want to explore in the future. I want to push the boundaries of not only photography, but my art practice as well. I feel like this thinking aligns with the Cubist mentality because Cubism was drastically breaking away from existing modes of thinking.”
Read the full interview here